Design

 

Strange & Wonderful Social Media Promotional Pitch

Something abstract. Something shiny. Something social. Something strange. 

 

ESL Madden Pitch

I pitched on the ESL graphics package for the Madden NFL Championship Series. Having some background in live graphics and a budding admiration for the rapidly growing  Esports industry, I was elated to have the opportunity. We submitted two designs, won the job, and delivered over 50 individual animated graphics.  Our original vision for the ESL Madden 18 was a "Polished Mech". I sought to create a familiar industrial design framework with a clean finish. Constructive architecture presented a clear directive for GFX articulation. Light played a large role in balancing the dark materials housing graphics by filling the frame and forming the environment. 

 

Smartphone Pitch

 

Oregon Lottery

I was given the opportunity to beef up the existing Oregon Lottery logo. An artist fabricated a large practical logo scale logo which we then shot. Unfortunately the artist did not rough up the logo enough! I created both the final photo and animation used in their current branding. Below is one example where the logo and animation was used in a commercial broadcast shot by Strange & Wonderful. 

Studio: Studio: Strange & Wonderful

Executive Creative Director: Will Hyde

Designer: Austin Hochstatter

Compositing: Morgan Fromme

 

Sun Buddies

A single frame designed for a speculative animation at Strange & Wonderful. 

 

The Graveyard Shift

"The Graveyard Shift" is a short horror film directed by Peter Feysa. I laid out options for degraded type and later composited the finalized credits. 

Studio: Strange & Wonderful

Executive Creative Director: Will Hyde

Director: Peter Feysa

Designer/Animator: Austin Hochstatter

 

Colliers

Studio: Strange & Wonderful

Executive Creative Director: Will Hyde

Designer/Animator: Austin Hochstatter

Designer/Animation: Monica Parsons

Animation: Joe Garber